The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss, the chief banker (Dandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for his unpaid gambling debts. Thus the manager decides to steal from the company. He is caught in the act of raiding the vault by the bank secretary (Carruthers) who rings for help. Chaplin comes to the rescue only to be misjudged by the chief banker as the thief. The secretary fingers the manager and Charlie receives a just reward and a handshake for foiling the robbery.
The Ten Commandments (1923)
Charles De Roche
Rod La Rocque
The Ten Commandments is a 1923 American silent religious epic film produced and directed by Cecil B. DeMille. Written by Jeanie MacPherson, the film is divided into two parts: a prologue recreating the biblical story of the Exodus and a modern story concerning two brothers and their respective views of the Ten Commandments.
Two brothers, John and Dan McTavish, live with their mother Martha, a strict believer in the Biblical law. The two sons make opposite decisions; John follows his mother’s teaching of the Ten Commandments and becomes a carpenter living on meager earnings, and Dan, now an avowed atheist who is convinced that the Commandments never offer him anything, vows to break every one of them and rise to the top.
As Martha evicts Dan from her house, he and John stop for a bite to eat at a lunch wagon. There, Mary, an impoverished but beautiful young woman, steals a bite of Dan’s sandwich and triggers a madcap chase after her. She takes refuge in the McTavish house, where John convinces his mother to take Mary in for the night. John also convinces Dan to set aside his grievance and stay; he also introduces Dan to Mary. Dan quickly wins Mary over with his freewheeling ways. Martha’s strict observance of the Sabbath causes friction when Dan and Mary begin dancing on a Sunday, and though John tries to convince his mother to show grace, Dan and Mary decide it is time to run off together.
Three years later, Dan has become a corrupt contractor. He earns a contract to build a massive cathedral and decides to cut the amount of cement in the concrete to dangerously low levels, pocketing the money saved and becoming very rich. He puts John, still a bachelor, in charge of construction, hoping to use him as a conduit to provide the gifts to their mother that she refuses to accept from Dan. Dan cheats on Mary with Sally, a Eurasian adulteress. One day, Martha comes to visit him at his work site; a wall collapses on her. Fatally injured, with her last words, she tells Danny that it is her fault for being too strict teaching him to fear God, when she should have taught him love.
Now out of money, Dan learns that a muckraker tabloid has threatened to expose his operation. His business partner recommends a $25,000 bribe to stop publication, but lacking the funds, Dan instead attempts suicide—his partner stops the attempt, solely because he refuses to take the fall alone, and demands the money. He goes to Sally’s brothel to take back a set of expensive pearls he gave her, but Sally refuses and reveals herself to have smuggled herself into the country from Molokai through a contraband jute shipment and is thus infected with leprosy, thus likely infecting Dan as well. In rage, he kills Sally and attempts to flee to Mexico on a motorboat (the S.S. Defiance), but rough weather sends him off course and he crashes into a rocky island. His dead body is seen among the wreckage. Mary, fearing herself to also be infected, stops by John’s office to say goodbye, but John insists on taking her in. As he reads Mary the New Testament story of Jesus healing the lepers (re-enacted on screen, with Jesus shown only from behind), a light shows Mary’s hands not to be scarred at all, and that her perceived scars had disappeared in the light—a metaphor for the healing salvation of Christ.
Throughout the film, the visual motif of the tablets of the commandments appears in the sets, with a particular commandment appearing on them when it is relevant to the story.
DeMille masterpiece was intended as a musical version of George Bizet’s opera Carmen, but it was under copyright so DeMille instructed his screenwriter brother William to base his scenario on the Public Domain novella Carmen written by Prosper Mérimée. The novella’s Carmen was more deliberate and manipulative than the opera version. For instance it included a cigarette factory fight scene from the book which was not found in the opera.
The story is centered around Carmen, a gypsy girl who seduces Don José, an officer of the law. Carmen uses Don José to facilitate her clan’s smuggling activities. Don José becomes obsessed and violent as he tries to keep her attention.